Survive the Jive: All-feed
All StJ activity updates here on the All feed. ᛝ🐗
🌐 Website: https://survivethejive.blogspot.com
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▶️ Main YouTube: https://www.youtube.com/c/Survivethejive/
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🌐 Website: https://survivethejive.blogspot.com
👕 Merch: https://survivethejive-shop.fourthwall.com
▶️ Main YouTube: https://www.youtube.com/c/Survivethejive/
🔗 Other links: https://linktr.ee/SurvivetheJive
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"Survive the Jive: All-feed" 群组最新帖子
20.04.202517:08
You need to be wistfully pondering the mysteries of the deep. You need to be pipe smoking and saying “aye” while staring into the distance
20.04.202507:07
Graphic showing the age of attested Germanic language groups from Dagfinn Skre’s new book “The Northern Routes to Kingship”
17.04.202516:49
We are thrilled to announce that the second Exiles of the Golden Age conference will take place on Saturday, July 26th, in Vancouver, BC.
The event will be introduced remotely by Mike Maxwell, author of the Cultured Thug and editor in chief of Imperium Press (https://t.me/ImperiumPressOfficial) and will feature the following influential speakers:
Marcus Follin (https://t.me/thegoldenone). Long-time YouTuber, blogger, and author of Dauntless and Demigod Mentality, Marcus has inspired a generation of men with his teachings on training in the temple of iron, martial arts, and reading great books. He’s a real-life Renaissance man: well-read, jacked, and eternally glorious.
Paul Waggener (https://t.me/paulwaggenerofficial). A founding member of the Wolves of Vinland and creator of Operation Werewolf, Paul leads a global movement of total life reform. His program combines weight training, martial arts, and esoteric ritual to help individuals achieve their highest potential. Through his books, podcasts, and his Telegram channel, Waggener continues to inspire countless men and women. A true outlaw spirit, he lives beyond the boundaries of the “Empire of Nothing,” riding free and shooting straight.
This conference will also feature a speech by our very own Exile's organizer Lane Jackson, and a display of Norse and Germanic artifacts curated by Malcolm at (https://t.me/sagnamadr).
Buy tickets here — https://www.tickettailor.com/events/exilesofthegoldenage/1656264
The event will be introduced remotely by Mike Maxwell, author of the Cultured Thug and editor in chief of Imperium Press (https://t.me/ImperiumPressOfficial) and will feature the following influential speakers:
Marcus Follin (https://t.me/thegoldenone). Long-time YouTuber, blogger, and author of Dauntless and Demigod Mentality, Marcus has inspired a generation of men with his teachings on training in the temple of iron, martial arts, and reading great books. He’s a real-life Renaissance man: well-read, jacked, and eternally glorious.
Paul Waggener (https://t.me/paulwaggenerofficial). A founding member of the Wolves of Vinland and creator of Operation Werewolf, Paul leads a global movement of total life reform. His program combines weight training, martial arts, and esoteric ritual to help individuals achieve their highest potential. Through his books, podcasts, and his Telegram channel, Waggener continues to inspire countless men and women. A true outlaw spirit, he lives beyond the boundaries of the “Empire of Nothing,” riding free and shooting straight.
This conference will also feature a speech by our very own Exile's organizer Lane Jackson, and a display of Norse and Germanic artifacts curated by Malcolm at (https://t.me/sagnamadr).
Buy tickets here — https://www.tickettailor.com/events/exilesofthegoldenage/1656264
已删除18.04.202503:00
14.04.202515:56
A clay tablet was found in Hohenstein, Lower Saxony, in the 16th Century with a likely depiction of Ostara. Hohenstein was an important cult site since the early Iron Age, and the use of the Younger Futhark suggests an age of around the 8th Century. She is depicted with horns, a drinking horn or cornucopia, and what may be a bird. The location of the original is unknown, only sketches survive. The incomplete inscription reads;
“You go out, that’s Osta, loosen icy frosts…
You good Osta, from your face shines…”
“thu ga ut thatr os ta louse isin frosta
dhu gautar osta, ous il sin grosta”
ᚦᚢ × ᚴᛅ × ᚢᛏ × ᚦᛅᛏᚱ × ᚬᛋ ᛏ × ᛚᚬᚢᛋᛁ × ᛁᛋᛁᚾ × ᚠᚱᚬᛋᛏᛅ
ᛏᚼᚢ × ᚴᛅᚢᛏᛅᚱ × ᚬᛋᛏᛅ × ᚬᚢᛋ × ᛁᛚ × ᛋᛁᚾ × ᚴᚱᚬᛋᛏᛅ
❁ᛉ❁
“You go out, that’s Osta, loosen icy frosts…
You good Osta, from your face shines…”
“thu ga ut thatr os ta louse isin frosta
dhu gautar osta, ous il sin grosta”
ᚦᚢ × ᚴᛅ × ᚢᛏ × ᚦᛅᛏᚱ × ᚬᛋ ᛏ × ᛚᚬᚢᛋᛁ × ᛁᛋᛁᚾ × ᚠᚱᚬᛋᛏᛅ
ᛏᚼᚢ × ᚴᛅᚢᛏᛅᚱ × ᚬᛋᛏᛅ × ᚬᚢᛋ × ᛁᛚ × ᛋᛁᚾ × ᚴᚱᚬᛋᛏᛅ
❁ᛉ❁
14.04.202515:53
My first big find and one off it’s kind.
Some three thousand years ago people sat here and made art not knowing that in a far distant future their thoughts would be seen across the world on strange handheld devices 😂
Some three thousand years ago people sat here and made art not knowing that in a far distant future their thoughts would be seen across the world on strange handheld devices 😂
14.04.202511:27
Odin
— Hans Thoma (1839-1924)
— Hans Thoma (1839-1924)
转发自:
Hearthfire Radio
14.04.202508:56
We are thrilled to announce a new show on Hearthfire Radio!
Right Action is an exclusive Hearthfire podcast by Paul Waggener of Wolves of Vinland and Operation Werewolf. Focusing on practical action you can take to improve your life, this is an exhortation to become what you are—a call to right action. The first episode will premier on Wednesday April 16th.
Paul is well known in the folkish sphere as a father, a folkbuilder, a martial artist, a speaker, and a writer. He is a man of action, a man of deeds as well as words, whose record of accomplishment speaks for itself. The Hearthfire sphere continues to go from strength to strength, and we are excited to bring Paul into it.
Sign up today on https://hearthfireradio.com/ to support our mission and our creators.
THE FIRE RISES
👍👍👍
Right Action is an exclusive Hearthfire podcast by Paul Waggener of Wolves of Vinland and Operation Werewolf. Focusing on practical action you can take to improve your life, this is an exhortation to become what you are—a call to right action. The first episode will premier on Wednesday April 16th.
Paul is well known in the folkish sphere as a father, a folkbuilder, a martial artist, a speaker, and a writer. He is a man of action, a man of deeds as well as words, whose record of accomplishment speaks for itself. The Hearthfire sphere continues to go from strength to strength, and we are excited to bring Paul into it.
Sign up today on https://hearthfireradio.com/ to support our mission and our creators.
THE FIRE RISES
👍👍👍
14.04.202507:20
To continue...
Having a family tree that extends beyond the 18th and 19th centuries helps to establish a sense of continuity back into prehistory, because we garner a sense of where we would be in any given generation. Some modern Pagans choose to ignore their entire heritage from the Middle Ages simply because they don't have a family tree. It's easier to identify with projected, mysterious Pagan ancestors than it is with Christian ancestors from the Middle Ages if one lacks a family tree.
However, if you know your real ancestors—your family lineage from the 1800s going back to the 1500s, 1400s, 1300s, and earlier—you know yourself. It is perfectly acceptable to identify with our culture and ancestors from the colonial era, the medieval era, or the Victorian era and still be a Pagan. It is perfectly acceptable to practice the habits and customs, and to take a liking to our ancestors from any century, and still be a Pagan. For context, historical Germanic Pagans depicted the Gods in the cultural context of their day and were—for the most part—men and women of their time. They were completely connected to their ancestral heritage, knew their ancestors, and had established forms of worship without having to think about it—whereas today, many people don't have that. This is why it is so important to formulate these things.
A notable example comes from Adam of Bremen's 11th-century Gesta Hammaburgensis Ecclesiae Pontificum. In it, Bremen describes the way in which the idols of the Gods were adorned at the temple at Uppsala. Óðinn is described as wearing armour and wielding weapons (which Bremen likens to portrayals of Mars). This shows that historical Pagan Swedes depicted the Gods in armour and with weapons that were modern to them in their day. The same is true for the Lindby idol of Óðinn, the Rällinge statuette of Freyr, and the Eyrarland statuette of Þórr, all of which show the Gods wearing a conical hat that was common across Scandinavia in the Viking Age.
Rather than viewing our history as "Paganism -> gap -> revivalism," we should be viewing our history as a continuum. The Gods have always existed, and the functional structure and nature of the universe has not changed. Objective reality (i.e., that the Gods exist) does not—and therefore has not—changed due to shifts in consensus or changes in cultural context. We should strive to live in the now and cultivate the revitalisation of Paganism: enjoy and appreciate all of our history and all of our ancestors; use the sources on Germanic Paganism as a framework to establish our own authentic forms of worship; form real groups; and revitalise our worship of the Gods and the veneration of our ancestors.
Having a family tree that extends beyond the 18th and 19th centuries helps to establish a sense of continuity back into prehistory, because we garner a sense of where we would be in any given generation. Some modern Pagans choose to ignore their entire heritage from the Middle Ages simply because they don't have a family tree. It's easier to identify with projected, mysterious Pagan ancestors than it is with Christian ancestors from the Middle Ages if one lacks a family tree.
However, if you know your real ancestors—your family lineage from the 1800s going back to the 1500s, 1400s, 1300s, and earlier—you know yourself. It is perfectly acceptable to identify with our culture and ancestors from the colonial era, the medieval era, or the Victorian era and still be a Pagan. It is perfectly acceptable to practice the habits and customs, and to take a liking to our ancestors from any century, and still be a Pagan. For context, historical Germanic Pagans depicted the Gods in the cultural context of their day and were—for the most part—men and women of their time. They were completely connected to their ancestral heritage, knew their ancestors, and had established forms of worship without having to think about it—whereas today, many people don't have that. This is why it is so important to formulate these things.
A notable example comes from Adam of Bremen's 11th-century Gesta Hammaburgensis Ecclesiae Pontificum. In it, Bremen describes the way in which the idols of the Gods were adorned at the temple at Uppsala. Óðinn is described as wearing armour and wielding weapons (which Bremen likens to portrayals of Mars). This shows that historical Pagan Swedes depicted the Gods in armour and with weapons that were modern to them in their day. The same is true for the Lindby idol of Óðinn, the Rällinge statuette of Freyr, and the Eyrarland statuette of Þórr, all of which show the Gods wearing a conical hat that was common across Scandinavia in the Viking Age.
Rather than viewing our history as "Paganism -> gap -> revivalism," we should be viewing our history as a continuum. The Gods have always existed, and the functional structure and nature of the universe has not changed. Objective reality (i.e., that the Gods exist) does not—and therefore has not—changed due to shifts in consensus or changes in cultural context. We should strive to live in the now and cultivate the revitalisation of Paganism: enjoy and appreciate all of our history and all of our ancestors; use the sources on Germanic Paganism as a framework to establish our own authentic forms of worship; form real groups; and revitalise our worship of the Gods and the veneration of our ancestors.
13.04.202511:38
Easter has dawned! But it was rainy and so foggy we couldn’t see the sun rise! We did briefly see the full moon as he peaked from the clouds late last night
12.04.202514:05
Interesting talk on Corded ware: using big data to identify the CW rite at a macro level.
Interesting point: the CW genetic signal expands before the burial rite appears. In other words the blood precedes the culture which follows afterwards.
https://youtu.be/ryvxWKafIlw?feature=shared
Interesting point: the CW genetic signal expands before the burial rite appears. In other words the blood precedes the culture which follows afterwards.
https://youtu.be/ryvxWKafIlw?feature=shared
转发自:
Wessex Woodcraft
12.04.202508:04
O, great Goddess,
glorious beauty!
Radiant rider,
Rays of the dawn
Easter, we embrace
And endow with gifts
Hands high,
Hearts gladdened.
glorious beauty!
Radiant rider,
Rays of the dawn
Easter, we embrace
And endow with gifts
Hands high,
Hearts gladdened.
12.04.202508:04
Hail Easter!
转发自:
Þórr siðr
12.04.202506:55
In Egils saga einhenda ok Ásmundar berserkjabana, a simple offering format is outlined in a statement by a jötunn woman who is being tormented by her sisters:
The format is:
1) Promise to the deity
2) Dedication of an animal
3) Requested action in exchange for the animal
In the instance of this saga, this is not an explicit sacrifice by the petitioner at that moment, but like in other sagas, the long-term cultivation of an animal to give as a sacrifice to the deity at the appointed time.
This is similar in function to the dedication of Freyfaxi by Hrafnkell Freysgoði in Hrafnkels saga. In a later part of the saga, the horse is sacrificed to Freyr.
A similar event occurs in Flóamanna saga, when Þorgils Þórðarson during his tumult with the god Þórr after his conversion, realizes that one of the oxen he has aboard his ship was one he dedicated to him. He had the ox thrown overboard to propitiate Þórr, as Þórr wanted what he was owed.
Hét ek þá á Þórr at gefa honum hafr þann, sem hann vildi velja, en hann skyldi jafna með oss systrum.
I then vow to Þórr to give him a buck of his choosing, but he should make even with us sisters.
The format is:
1) Promise to the deity
2) Dedication of an animal
3) Requested action in exchange for the animal
In the instance of this saga, this is not an explicit sacrifice by the petitioner at that moment, but like in other sagas, the long-term cultivation of an animal to give as a sacrifice to the deity at the appointed time.
This is similar in function to the dedication of Freyfaxi by Hrafnkell Freysgoði in Hrafnkels saga. In a later part of the saga, the horse is sacrificed to Freyr.
A similar event occurs in Flóamanna saga, when Þorgils Þórðarson during his tumult with the god Þórr after his conversion, realizes that one of the oxen he has aboard his ship was one he dedicated to him. He had the ox thrown overboard to propitiate Þórr, as Þórr wanted what he was owed.
记录
23.03.202518:26
15.4K订阅者16.01.202523:59
200引用指数22.09.202423:59
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52.83%ERR20.04.202517:08
You need to be wistfully pondering the mysteries of the deep. You need to be pipe smoking and saying “aye” while staring into the distance
已删除18.04.202503:00
14.04.202515:56
A clay tablet was found in Hohenstein, Lower Saxony, in the 16th Century with a likely depiction of Ostara. Hohenstein was an important cult site since the early Iron Age, and the use of the Younger Futhark suggests an age of around the 8th Century. She is depicted with horns, a drinking horn or cornucopia, and what may be a bird. The location of the original is unknown, only sketches survive. The incomplete inscription reads;
“You go out, that’s Osta, loosen icy frosts…
You good Osta, from your face shines…”
“thu ga ut thatr os ta louse isin frosta
dhu gautar osta, ous il sin grosta”
ᚦᚢ × ᚴᛅ × ᚢᛏ × ᚦᛅᛏᚱ × ᚬᛋ ᛏ × ᛚᚬᚢᛋᛁ × ᛁᛋᛁᚾ × ᚠᚱᚬᛋᛏᛅ
ᛏᚼᚢ × ᚴᛅᚢᛏᛅᚱ × ᚬᛋᛏᛅ × ᚬᚢᛋ × ᛁᛚ × ᛋᛁᚾ × ᚴᚱᚬᛋᛏᛅ
❁ᛉ❁
“You go out, that’s Osta, loosen icy frosts…
You good Osta, from your face shines…”
“thu ga ut thatr os ta louse isin frosta
dhu gautar osta, ous il sin grosta”
ᚦᚢ × ᚴᛅ × ᚢᛏ × ᚦᛅᛏᚱ × ᚬᛋ ᛏ × ᛚᚬᚢᛋᛁ × ᛁᛋᛁᚾ × ᚠᚱᚬᛋᛏᛅ
ᛏᚼᚢ × ᚴᛅᚢᛏᛅᚱ × ᚬᛋᛏᛅ × ᚬᚢᛋ × ᛁᛚ × ᛋᛁᚾ × ᚴᚱᚬᛋᛏᛅ
❁ᛉ❁
23.03.202518:32
Are you not entertained?
04.04.202512:39
Hello dears, please be understanding extreme antiquity of vedic civilisations. Ayurvedic medicines dating to 10,000 BC. R1a haplogroup present in archaeological finds from Uttar Pradesh dates to 100,000 years before present.
You simply need to do proper research for understandings.
You simply need to do proper research for understandings.
06.04.202518:38
AI rendering of the reconstruction of a Yamnaya male from Novoalekseevka, Ukraine
25.03.202510:39
We used to be a proper country with British made WODEN tools 🇬🇧
09.04.202516:39
Twin saxon kingdoms
08.04.202508:22
Find it hard to keep up with all the different archaeological cultures, matching them to regions and periods etc?
My friend has created a Holocene periodic table for all of West Eurasia. He is going to keep updating it so this link will always be the latest version.
My friend has created a Holocene periodic table for all of West Eurasia. He is going to keep updating it so this link will always be the latest version.
20.04.202507:07
Graphic showing the age of attested Germanic language groups from Dagfinn Skre’s new book “The Northern Routes to Kingship”
转发自:Þórr siðr
07.04.202514:13
The Irish annals depict Gaels voluntarily going apostate and adopting Norse culture and religious practices.
There was a fairly distinct Thor cult presence in Ireland, as I have indicated in this post.
Excerpts from The Memory of the Norse in Ireland in Middle Irish Dynastic Narratives by Ann Caroline Humphrey, 2023.
There was a fairly distinct Thor cult presence in Ireland, as I have indicated in this post.
Excerpts from The Memory of the Norse in Ireland in Middle Irish Dynastic Narratives by Ann Caroline Humphrey, 2023.
05.04.202508:17
A nonsense article claiming the Sutton Hoo helmet “formerly thought to have been made in Sweden” was made in Denmark.
Yes it is similar to Vendel era helmets from Uppland but no archaeologists have thought it was made in Sweden for decades. A local manufacture is usually considered most likely. That the patrice or pressblech designs are similar to one found in Denmark is simply because the same religious motifs were used on such helmets across the Germanic world.
Yes it is similar to Vendel era helmets from Uppland but no archaeologists have thought it was made in Sweden for decades. A local manufacture is usually considered most likely. That the patrice or pressblech designs are similar to one found in Denmark is simply because the same religious motifs were used on such helmets across the Germanic world.
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