AA
Arte - attribuzioni
Canale prettamente di studio e ricerca, utile per esercitarsi nel gioco delle attribuzioni, per avere uno sguardo di insieme riguardo artisti e opere anche molto lontani nel tempo.. per aprirsi al confronto e allenare l'occhio ai più svariati tratti.
TGlist rating
0
0
TypePublic
Verification
Not verifiedTrust
Not trustedLocation
LanguageOther
Channel creation dateOct 20, 2024
Added to TGlist
Feb 14, 2025Latest posts in group "Arte - attribuzioni"
Reposted from:
musick to play in the dark
18.05.202513:34
Surrealist face in woods (1930s) by Max Dupain
Reposted from:
Изюм и Миндаль
18.05.202506:04
Master of the Taking of Tarento «The triumph of Venus, worshipped by six legendary lovers (Achilles, Tristan, Lancelot, Samson, Paris and Troilus)», 14th century.
Louvre Museum
Louvre Museum
Reposted from:
EN EREBOS PHOS
17.05.202515:29
The real root of alchemy is to be sought less in philosophical doctrines than in the projections of individual investigators. I mean by this that while working on his chemical experiments the operator had certain psychic experiences which appeared to him as the particular behavior of the chemical process. Since it was a question of projection, he was naturally unconscious of the fact that the experience had nothing to do with matter itself … He experienced his projection as a property of matter; but what he was in reality experiencing was his own unconscious. In this way he recapitulated the whole history of man’s knowledge of nature. As we all know, science began with the stars, and mankind discovered in them the dominants of the unconscious, the “gods,” as well as the curious psychological qualities of the zodiac: a complete projected theory of human character. Astrology is a primordial experience similar to alchemy. Such projections repeat themselves whenever man tries to explore an empty darkness and involuntarily fills it with living form.
Carl Jung, Psychology and Alchemy
Carl Jung, Psychology and Alchemy
Reposted from:EN EREBOS PHOS
16.05.202516:20
Jung believed that synchronicities generally seemed to serve the same role as dreams, psychological symptoms, and other manifestations of the unconscious, namely, to compensate the conscious attitude and move the psyche from a problematic one-sidedness toward greater wholeness and individuation. Not only did the unexpectedly externalized pattern of meaning seem to represent more than mere chance coincidence; it also appeared to serve a definite purpose, impelling the psyche toward a more complete psychological and spiritual realization of the individual personality. This self-realization was achieved through a deeper integration of conscious and unconscious, which ultimately required of the individual a discerning surrender of the usual conscious attitude of knowing superiority. In this view, the perceptive interpretation of synchronistic phenomena, as with all expressions of the unconscious, rather than inflating the egocentric importance of the individual in a narcissistic manner, could correct precisely these tendencies and open the psyche to a larger vision.
Richard Tarnas, Cosmos and Psyche
Richard Tarnas, Cosmos and Psyche
Reposted from:
Olga Tarovik - Storia della Russia
16.05.202511:00
L'affresco più antico della Russia
❤️🩹Si trova all'interno della Cattedrale di Santa Sofia di Novgorod (lato sud, a destra dell'iconostasi) e raffigura i santi Costantino ed Elena.
🎨 Questo affresco, databile alla seconda metà dell'XI secolo (quindi dipinto subito dopo la costruzione della cattedrale, prima che fosse interamente affrescata nel XII secolo), è molto diverso da altri antichi dipinti russi: leggero e arioso, è realizzato con colori tenui e delicati e sembra quasi un acquerello.
❤️🩹Il volto di Elena, dipinto su un modello orientale (occhi enormi, naso lungo) fa pensare a un pittore appartenente alla scuola di Costantinopoli oppure a quella dell'Africa orientale, ma ultimamente gli studiosi attribuiscono comunque il dipinto alla mano di un ignoto genio di Novgorod.
Olga Tarovik - Storia della Russia
❤️🩹Si trova all'interno della Cattedrale di Santa Sofia di Novgorod (lato sud, a destra dell'iconostasi) e raffigura i santi Costantino ed Elena.
🎨 Questo affresco, databile alla seconda metà dell'XI secolo (quindi dipinto subito dopo la costruzione della cattedrale, prima che fosse interamente affrescata nel XII secolo), è molto diverso da altri antichi dipinti russi: leggero e arioso, è realizzato con colori tenui e delicati e sembra quasi un acquerello.
Il principale mezzo di espressione diventa la linea. Lui [il pittore di Novgorod] la maneggia con incomparabile perfezione... le linee evocano involontariamente ricordi di disegni a inchiostro cinese su seta, c'è così tanta leggerezza e un calcolo finemente bilanciato in esse... L'artista è particolarmente affezionato al bianco, che abbina abilmente ai toni dell'azzurro cielo, del rosso rosato e dell'arancione.
(V. N. Lazarev)
❤️🩹Il volto di Elena, dipinto su un modello orientale (occhi enormi, naso lungo) fa pensare a un pittore appartenente alla scuola di Costantinopoli oppure a quella dell'Africa orientale, ma ultimamente gli studiosi attribuiscono comunque il dipinto alla mano di un ignoto genio di Novgorod.
Olga Tarovik - Storia della Russia
Reposted from:
anima mundi ∞
16.05.202500:31
Allegorical representation with Heaven and Earth. Joseph Mulder, 1685
Reposted from:
The Exaltation of Beauty
15.05.202518:27
This large altarpiece shows Saint Sebastian in the foreground, tied to a column and calmly enduring the torment of the arrows, while an angel on the left brings him the crown of martyrdom. What makes the painting so interesting is the antiquarian taste that permeates the composition and shows us with great topographical accuracy the main buildings of Imperial Rome.
Reposted from:The Exaltation of Beauty
15.05.202518:27
The Martyrdom of Saint Sebastian, 1530 - 1540, by Antonio Badile, oil on canvas, 150 × 101 cm, Veneranda Biblioteca Ambrosiana
Reposted from:
Orphic Inscendence
15.05.202518:26
"The Sons of God saw the Daughters of Men that they were Fair", Daniel Chester French (April 20, 1850 – October 7, 1931), American
Records
18.05.202523:59
103Subscribers23.11.202423:59
0Citation index16.02.202523:59
40Average views per post15.05.202523:59
18Average views per ad post24.02.202523:59
50.00%ER16.02.202523:59
63.49%ERRReposted from:EN EREBOS PHOS
16.05.202516:20
Jung believed that synchronicities generally seemed to serve the same role as dreams, psychological symptoms, and other manifestations of the unconscious, namely, to compensate the conscious attitude and move the psyche from a problematic one-sidedness toward greater wholeness and individuation. Not only did the unexpectedly externalized pattern of meaning seem to represent more than mere chance coincidence; it also appeared to serve a definite purpose, impelling the psyche toward a more complete psychological and spiritual realization of the individual personality. This self-realization was achieved through a deeper integration of conscious and unconscious, which ultimately required of the individual a discerning surrender of the usual conscious attitude of knowing superiority. In this view, the perceptive interpretation of synchronistic phenomena, as with all expressions of the unconscious, rather than inflating the egocentric importance of the individual in a narcissistic manner, could correct precisely these tendencies and open the psyche to a larger vision.
Richard Tarnas, Cosmos and Psyche
Richard Tarnas, Cosmos and Psyche
12.05.202505:17
🥀
Reposted from:
Штрихи и Пятна
25.04.202519:14
«Раненый мужчина»
Gustave Courbet, 1844-54
Работа, написанная в 1844 году, была переработана Курбе десять лет спустя, в конце любовного романа.
Женщина, которая первоначально опиралась на плечо художника, была заменена мечом. Также, Курбе добавил красное пятно крови к своей рубашке над сердцем.
😀 Штрихи и Пятна
Gustave Courbet, 1844-54
Работа, написанная в 1844 году, была переработана Курбе десять лет спустя, в конце любовного романа.
Женщина, которая первоначально опиралась на плечо художника, была заменена мечом. Также, Курбе добавил красное пятно крови к своей рубашке над сердцем.
😀 Штрихи и Пятна
Reposted from:musick to play in the dark
18.05.202513:34
Surrealist face in woods (1930s) by Max Dupain
Reposted from:
All'Elefante Nero
14.05.202517:41
Come bisogna ristabilire un senso di mistero, tanto vivere nelle proprie liturgie che attirano la persona umana nella sua integrità, cantano la bellezza della salvezza, provocano stupore per la grandezza divina che abbraccia la piccolezza umana! E quanto è importante riscoprire, anche nell’Occidente cristiano, il significato della primazìa di Dio, il valore della mistagogia, l’intercessione continua, il pentimento, il digiuno, il pianto sui propri peccati e sui peccati di tutta l’umanità, che sono così caratteristici della spiritualità orientale! Pertanto, è molto importante preservare le proprie tradizioni senza esagerare, magari per convenienza e conforto, affinché non vengano corrotte dallo spirito consumatore e utilitaristico.
- Leone XIV
https://www.iltimone.org/news-timone/papa-leone-xvi-loccidente-riscopra-il-primato-di-dio-e-il-mistero/
- Leone XIV
https://www.iltimone.org/news-timone/papa-leone-xvi-loccidente-riscopra-il-primato-di-dio-e-il-mistero/
Reposted from:EN EREBOS PHOS
14.05.202510:51
Objectifying the world has given immense pragmatic power and dynamism to the modern self but at the expense of its capacity to register and respond to the world’s potential depths of meaning and purpose. Contrary to the coolly detached self-image of modern reason, subjective needs and wishes have unconsciously pervaded the disenchanted vision and reinforced its assumptions. A world of purposeless objects and random processes has served as a highly effective basis and justification for human self-aggrandizement and exploitation of a world seen as undeserving of moral concern. The disenchanted cosmos is the shadow of the modern mind in all its brilliance, power, and inflation.
Richard Tarnas, Cosmos and Psyche
Richard Tarnas, Cosmos and Psyche
Log in to unlock more functionality.