EN EREBOS PHOS
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Renard Occultisme
14.03.202520:51
Richard Riemerschmid (1868–1957) — Ghost clouds — Les Nuages Fantômes, 1897 год
#искусство
#искусство
03.03.202518:24
01.03.202519:41
Freud said that we endlessly repeat past hurts, forever re-enacting the same patterns in a futile attempt to patch the un-healable wound. This, more than anything, is the terror of the personal, digital archive: not that it reveals some awful act from the past, some old self that no longer stands for us, but that it reminds us that who we are is in fact a repetition, a cycle, a circular relation of multiple selves to multiple injuries. It’s the self as a bundle of trauma, forever acting out the same tropes in the hopes that we might one day change.
Navneet Alang, Terror of the Archive
Navneet Alang, Terror of the Archive
01.03.202519:34
Helen O'Grady, Woman’s Relationship With Herself: Gender, Foucault and Therapy
01.03.202519:30
Navneet Alang, “Terror of the Archive”
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Изюм и Миндаль
14.03.202520:50
Raphaelle Peale «Melons and Morning Glories», 1813.
Smithsonian American Art Museum
Smithsonian American Art Museum
14.03.202520:45
Josephine Cardin
01.03.202519:42
An Incantation - John Maler Collier
01.03.202519:37
Evelyn Nesbit, c. 1901
01.03.202519:32
Nancy Loftus, Memory: Surprising New Insights Into How We Remember and Why We Forget
01.03.202512:31
Norman K. Denzin, On Understanding Emotion
14.03.202520:43
Ahmed Fares, The Crow
01.03.202519:42
La Belle Dame Sans Merci (1926) - Frank Cadogan Cowper
01.03.202519:37
“who hasn’t struck a deal with a centuries-old entity of dubious moral standing and even murkier motives?”
01.03.202519:32
When we try to remember something that happened to us, these sorts of “constructive” errors are common. We can usually recall a few facts, and using these facts we construct other facts that probably happened. We make inferences. From these probable inferences, we are led to other “false facts” that might—or might not—have been true [ … ] This process of using inferences and probable facts to fill in the gaps of our memories has been called “refabrication,” and it probably occurs in nearly all of our everyday perceptions. We supply these bits and pieces, largely unconsciously, to round out fairly incomplete knowledge.
Nancy Loftus, Memory: Surprising New Insights Into How We Remember and Why We Forget
Nancy Loftus, Memory: Surprising New Insights Into How We Remember and Why We Forget
01.03.202512:26
“Rather than seeking a lasting remedy, I find myself in pursuit of frogs, spells, and shadows, with bats whispering secrets of dark magick.”
14.03.202520:40
Time destroys all that it creates, and the end of every temporal sequence is, for the entity involved in it, some form of death. Death is wholly transcended only when time is transcended; immortality is for the consciousness that has broken through the temporal into the timeless. For all other consciousnesses there is at best a survival or a rebirth; and these entail further temporal sequences and the periodical recurrence of yet other deaths and dissolutions. In all the traditional philosophies and religions of the world, time is regarded as the enemy and the deceiver, the prison and the torture chamber. It is only as an instrument, as the means to something else, that it possesses a positive value; for time provides the embodied soul with opportunities for transcending time; every instant of every temporal sequence is potentially the door through which we can, if we so desire, break through into the eternal.
Aldous Huxley, The Divine Within: Selected Writings on Enlightenment
Aldous Huxley, The Divine Within: Selected Writings on Enlightenment
01.03.202519:42
The Blue Bird (Detail), 1918 - Frank Cadogan Cowper
01.03.202519:35
Yosemite Valley by Casey Horner
01.03.202519:30
The history of the devil and the idea of evil, 1900
01.03.202512:24
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