Henric Ibsen
Henrik Johan Ibsen ( Norwegian:; 20 March 1828 – 23 May 1906) was a Norwegian playwright, theatre director, and poet. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential playwrights of his time. His major works include Brand, Peer Gynt, An Enemy of the People, Emperor and Galilean, A Doll's House, Hedda Gabler, Ghosts, The Wild Duck, When We Dead Awaken, Pillars of Society, The Lady from the Sea, Rosmersholm, The Master Builder, and John Gabriel Borkman. He is the most frequently performed dramatist in the world after Shakespeare, and by the early 20th century A Doll's House became the world's most performed play.
An Enemy of the People
An Enemy of the People is an 1882 play by Norwegian playwright Henrik Ibsen. Ibsen wrote it in response to the public outcry against his previous play, Ghosts, which challenged the hypocrisy of 19th-century morality. According to Ellen Mortensen (Ibsen Studies v.7, 169), the words "scandalous, degenerate," and "immoral" were hurled at both Ghosts and its author because it openly discussed adultery and syphilis. Therefore, An Enemy of the People tells the story of a man who dares to speak an unpalatable truth, and is punished for it. However, Ibsen took a somewhat skeptical view of his protagonist, suggesting that he may have gone too far in his zeal to tell the truth. Ibsen wrote to his publisher: "I am still uncertain as to whether I should call [An Enemy of the People] a comedy or a straight drama. It may [have] many traits of comedy, but it also is based on a serious idea."
In An Enemy of the People, speaking the language of comic exaggeration through the mouth of his spokesman, the idealist Doctor Thomas Stockmann, Ibsen puts into very literal terms the theme of the play: It is true that ideas grow stale and platitudinous, but one may go one step further and say flatly that truths die. According to Stockmann, there are no absolute principles of either wisdom or morality. In this Ibsen is referring indirectly to the reception of his previous plays. For example, the commandment "honor thy father and thy mother" referred to in Ghosts is not simply either true or false. It may have been a truth once and a falsehood today.
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