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la Psychologie de l'Univers

در جستجوی دانستن، می‌خوانم، مشاهده می‌کنم و گوش می‌سپارم.
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"la Psychologie de l'Univers" тобундагы акыркы жазуулар

J. Robert Oppenheimer’s guilt after the successful test of the atomic bomb at the Trinity Test in July 1945 is a complex interplay of psychological, ethical, and emotional factors. This internal conflict can be explored through various psychological lenses:

1. "Cognitive Dissonance": Cognitive dissonance theory, proposed by Leon Festinger, suggests that when a person holds two conflicting beliefs or attitudes, they experience psychological discomfort. Initially, Oppenheimer and many scientists believed they were contributing to the war effort and potentially saving lives by developing the bomb to end World War II. However, after witnessing the destructive power of the bomb, he faced a profound dissonance between his role in creating such a weapon and his moral beliefs about its consequences.

2. "Moral Injury": Moral injury refers to the psychological distress that results from actions (or the lack of actions) that violate an individual's moral or ethical code. Oppenheimer’s feelings post-Test can be seen as a moral injury as he grappled with the implications of his contributions to a weapon that caused immense suffering and destruction. This guilt and internal conflict became particularly poignant when he famously quoted the line from the Bhagavad Gita, “Now I am become Death, the destroyer of worlds,” signaling his awareness of the irreversible impact of his work.

3. "Survivor’s Guilt": Oppenheimer might also have experienced a form of survivor's guilt, feeling responsible for the deaths and destruction that the bomb caused, especially in Hiroshima and Nagasaki. This psychological phenomenon occurs when an individual feels guilt for surviving or succeeding when others did not. Oppenheimer's role as a leader of the Manhattan Project placed him in a position where he could not escape the reality of the bomb's consequences, leading to a profound sense of responsibility and guilt.

4. "Trauma and PTSD-like Symptoms": Although Oppenheimer was not a soldier, the intense pressure, ethical dilemmas, and subsequent realization of the bomb’s devastation might have led to symptoms reminiscent of post-traumatic stress disorder (PTSD). This could include intrusive thoughts about the test and its outcomes, anxiety, and emotional numbness. The weight of the bomb’s legacy likely contributed to a long-term psychological burden for Oppenheimer.

5. "Existential Guilt": Existential psychology highlights the struggle individuals have when confronting their existence, choices, and the inherent responsibility of those choices. Oppenheimer's reflections might be understood through this lens; he faced an existential crisis, questioning his role in humanity’s broader narrative, the moral implications of scientific advancement, and the ethical limits of human innovation.

6. "Emotional and Social Isolation": After the war and the bombings, Oppenheimer experienced social and political isolation, particularly during the McCarthy era. This isolation can exacerbate feelings of guilt and shame, as individuals often seek validation and understanding from their peers. Oppenheimer’s relationship with fellow scientists and policymakers shifted dramatically, contributing to his internal struggles.
In the treatment of neuroses, the analyst has to listen not only to what the patient says but more importantly to what he does not say; for the latter contains the essential part of the patient's hidden thoughts.

#SigmundFreud
Here they are, Yoshito Matsushige's two photos on the Miyuki Bridge, taken on the 6th of August 1945, just three hours after the bomb went off. They're the very first photos to show so clearly the victims of the first atomic bomb in the history of mankind. There on the bridge, he realizes how lucky he has been and just how violent the explosion was. He will write in his memoirs that he was born to be there at that moment.
"The wounded, all their eyes were fixed on me. It was as if they wanted me to tell the whole world what was happening to them. Was it cruel of me to photograph them, or was it the best thing I could do? I was in terrible conflict."
"It was so dark that I could hardly see the face of my wife, and she was right next to me. She was holding my hand, so I realized we hadn't been killed by the bomb. Neither of us."
Yoshito Matsushige is 32 years old, a photographer for the local Chugoku Shimbun newspaper, embedded with the military press corps. When the bomb goes off, he's less than two miles away from ground zero at home with his pregnant wife. They're just finishing their breakfast.
"When the wind came through, there was a huge hole in the wall. Right through both floors of the house and the sitting room was full of debris. I pulled my camera out of the debris and put on the clothes I got from headquarters. I got ready and went out."
Yoshito wants to get to the center of town, but the shockwave has completely leveled Hiroshima. The streets are nothing but debris, burnt bodies, and people with dreadful wounds. It's impossible to go any further with the heat of the fire, so he turns back and heads for the Miyuki Bridge.
"It was such an aweful scene that I just couldn't press the shutter. Not for at least 20 minutes. I eventually took a photo, then went in a few feet closer for another, but the viewfinder was clouded over with my tears. I still remember that to this day. It was just hell."
"Inside Hiroshima"
"اصالت" اشاره دارد به اینکه ما در مورد ارزیابی خودمان از آنچه وجود باارزش برای خودمان است، صادق باشیم؛ بودنِ آنچه هستیم، جرات می‌خواهد.

#نظریه‌و‌کاربست‌مشاوره‌و‌روان‌درمانی
#جرالد‌کری
-فصل ششم [درمان وجودی]
هملت: "بودن یا نبودن، حرف در همین است. آیا بزرگواریِ آدمی بیشتر در آن است که زخمِ فلاخن و تیرِ بختِ ستم پیشه را تاب آورَد، یا آن که در برابرِ دریایی فتنه و آشوب، سلاح برگیرد و با ایستادگیِ خویش، بدان همه پایان دهد؟ مردن، خفتن؛ نه بیش؛ و پنداری که ما با خواب به دردهای قلب و هزاران آسیبِ طبیعی که نصیبِ تنِ آدمی است، پایان می‌دهیم؛ چنین فرجامی سخت خواستنی است. مردن، خفتن؛ خفتن، شاید هم خواب دیدن؛ آه، دشواریِ کار همین جاست. زیرا تصور آن که در این خوابِ مرگ، پس از آن که از این هیاهوی کشنده فارغ شدیم چه رویاهایی به سراغمان توانند آمد، می‌باید ما را در عزم خود، سست کند. و همین موجب می‌شود که عمرِ مصائب تا بدین حد دراز باشد. به راستی، چه کسی به تازیانه‌ها و خواری‌های زمانه، و بیدادِ ستمگران، و اهانتِ مردمِ خودبین، و دلهره‌ی عشقِ خوارداشته، و دیرجنبیِ قانون، و گستاخیِ دیوانیان، و پاسخِ ردی که شایستگانِ شکیبا از فرمایگان می‌شنوند، تن می‌داد؛ و حال آن که می‌توانست خود را با خنجری برهنه، آسوده سازد؟ چه کسی زیر چنین باری می‌رفت و عرق ریزان، از زندگیِ توان فرسا ناله می‌کرد، مگر بدان رو که هراس چیزی پس از مرگ، این سرزمین ناشناخته‌ ‌که هیچ مسافری دوباره از مرز آن باز نیامده است، اراده را سرگشته می‌دارد و موجب می‌شود تا بدبختی‌هایی را که بدان دچاریم تحمل کنیم و به سوی دیگر بلاها که چیزی از چگونگی‌شان نمی‌دانیم، نگریزیم. پس ادراک است که ما همه را بزدل می‌گرداند؛ بدین سان رنگِ اصلی عزم از سایه‌ی نزار اندیشه که بر آن می‌افتد، بیمارگونه می‌نماید و کارهای بزرگ و خطیر به همین سبب از مسیر خود منحرف می‌گردد و حتی نامِ عمل را از دست می‌دهد. دیگر دم فرو بندیم! اینک اُفلیای زیبا! ای پری رو، در نیایش‌های خود، گناهانِ من همه را به یاد آر‌."

#هملت
#ویلیام‌شکسپیر
-ترجمه‌ی به آذین

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la Psychologie de l'Univers популярдуу жазуулары

19.04.202509:29
"اصالت" اشاره دارد به اینکه ما در مورد ارزیابی خودمان از آنچه وجود باارزش برای خودمان است، صادق باشیم؛ بودنِ آنچه هستیم، جرات می‌خواهد.

#نظریه‌و‌کاربست‌مشاوره‌و‌روان‌درمانی
#جرالد‌کری
-فصل ششم [درمان وجودی]
17.04.202521:15
هملت: "بودن یا نبودن، حرف در همین است. آیا بزرگواریِ آدمی بیشتر در آن است که زخمِ فلاخن و تیرِ بختِ ستم پیشه را تاب آورَد، یا آن که در برابرِ دریایی فتنه و آشوب، سلاح برگیرد و با ایستادگیِ خویش، بدان همه پایان دهد؟ مردن، خفتن؛ نه بیش؛ و پنداری که ما با خواب به دردهای قلب و هزاران آسیبِ طبیعی که نصیبِ تنِ آدمی است، پایان می‌دهیم؛ چنین فرجامی سخت خواستنی است. مردن، خفتن؛ خفتن، شاید هم خواب دیدن؛ آه، دشواریِ کار همین جاست. زیرا تصور آن که در این خوابِ مرگ، پس از آن که از این هیاهوی کشنده فارغ شدیم چه رویاهایی به سراغمان توانند آمد، می‌باید ما را در عزم خود، سست کند. و همین موجب می‌شود که عمرِ مصائب تا بدین حد دراز باشد. به راستی، چه کسی به تازیانه‌ها و خواری‌های زمانه، و بیدادِ ستمگران، و اهانتِ مردمِ خودبین، و دلهره‌ی عشقِ خوارداشته، و دیرجنبیِ قانون، و گستاخیِ دیوانیان، و پاسخِ ردی که شایستگانِ شکیبا از فرمایگان می‌شنوند، تن می‌داد؛ و حال آن که می‌توانست خود را با خنجری برهنه، آسوده سازد؟ چه کسی زیر چنین باری می‌رفت و عرق ریزان، از زندگیِ توان فرسا ناله می‌کرد، مگر بدان رو که هراس چیزی پس از مرگ، این سرزمین ناشناخته‌ ‌که هیچ مسافری دوباره از مرز آن باز نیامده است، اراده را سرگشته می‌دارد و موجب می‌شود تا بدبختی‌هایی را که بدان دچاریم تحمل کنیم و به سوی دیگر بلاها که چیزی از چگونگی‌شان نمی‌دانیم، نگریزیم. پس ادراک است که ما همه را بزدل می‌گرداند؛ بدین سان رنگِ اصلی عزم از سایه‌ی نزار اندیشه که بر آن می‌افتد، بیمارگونه می‌نماید و کارهای بزرگ و خطیر به همین سبب از مسیر خود منحرف می‌گردد و حتی نامِ عمل را از دست می‌دهد. دیگر دم فرو بندیم! اینک اُفلیای زیبا! ای پری رو، در نیایش‌های خود، گناهانِ من همه را به یاد آر‌."

#هملت
#ویلیام‌شکسپیر
-ترجمه‌ی به آذین
20.04.202512:46
J. Robert Oppenheimer’s guilt after the successful test of the atomic bomb at the Trinity Test in July 1945 is a complex interplay of psychological, ethical, and emotional factors. This internal conflict can be explored through various psychological lenses:

1. "Cognitive Dissonance": Cognitive dissonance theory, proposed by Leon Festinger, suggests that when a person holds two conflicting beliefs or attitudes, they experience psychological discomfort. Initially, Oppenheimer and many scientists believed they were contributing to the war effort and potentially saving lives by developing the bomb to end World War II. However, after witnessing the destructive power of the bomb, he faced a profound dissonance between his role in creating such a weapon and his moral beliefs about its consequences.

2. "Moral Injury": Moral injury refers to the psychological distress that results from actions (or the lack of actions) that violate an individual's moral or ethical code. Oppenheimer’s feelings post-Test can be seen as a moral injury as he grappled with the implications of his contributions to a weapon that caused immense suffering and destruction. This guilt and internal conflict became particularly poignant when he famously quoted the line from the Bhagavad Gita, “Now I am become Death, the destroyer of worlds,” signaling his awareness of the irreversible impact of his work.

3. "Survivor’s Guilt": Oppenheimer might also have experienced a form of survivor's guilt, feeling responsible for the deaths and destruction that the bomb caused, especially in Hiroshima and Nagasaki. This psychological phenomenon occurs when an individual feels guilt for surviving or succeeding when others did not. Oppenheimer's role as a leader of the Manhattan Project placed him in a position where he could not escape the reality of the bomb's consequences, leading to a profound sense of responsibility and guilt.

4. "Trauma and PTSD-like Symptoms": Although Oppenheimer was not a soldier, the intense pressure, ethical dilemmas, and subsequent realization of the bomb’s devastation might have led to symptoms reminiscent of post-traumatic stress disorder (PTSD). This could include intrusive thoughts about the test and its outcomes, anxiety, and emotional numbness. The weight of the bomb’s legacy likely contributed to a long-term psychological burden for Oppenheimer.

5. "Existential Guilt": Existential psychology highlights the struggle individuals have when confronting their existence, choices, and the inherent responsibility of those choices. Oppenheimer's reflections might be understood through this lens; he faced an existential crisis, questioning his role in humanity’s broader narrative, the moral implications of scientific advancement, and the ethical limits of human innovation.

6. "Emotional and Social Isolation": After the war and the bombings, Oppenheimer experienced social and political isolation, particularly during the McCarthy era. This isolation can exacerbate feelings of guilt and shame, as individuals often seek validation and understanding from their peers. Oppenheimer’s relationship with fellow scientists and policymakers shifted dramatically, contributing to his internal struggles.
20.04.202512:07
In the treatment of neuroses, the analyst has to listen not only to what the patient says but more importantly to what he does not say; for the latter contains the essential part of the patient's hidden thoughts.

#SigmundFreud
Here they are, Yoshito Matsushige's two photos on the Miyuki Bridge, taken on the 6th of August 1945, just three hours after the bomb went off. They're the very first photos to show so clearly the victims of the first atomic bomb in the history of mankind. There on the bridge, he realizes how lucky he has been and just how violent the explosion was. He will write in his memoirs that he was born to be there at that moment.
"The wounded, all their eyes were fixed on me. It was as if they wanted me to tell the whole world what was happening to them. Was it cruel of me to photograph them, or was it the best thing I could do? I was in terrible conflict."
20.04.202511:14
"It was so dark that I could hardly see the face of my wife, and she was right next to me. She was holding my hand, so I realized we hadn't been killed by the bomb. Neither of us."
Yoshito Matsushige is 32 years old, a photographer for the local Chugoku Shimbun newspaper, embedded with the military press corps. When the bomb goes off, he's less than two miles away from ground zero at home with his pregnant wife. They're just finishing their breakfast.
"When the wind came through, there was a huge hole in the wall. Right through both floors of the house and the sitting room was full of debris. I pulled my camera out of the debris and put on the clothes I got from headquarters. I got ready and went out."
Yoshito wants to get to the center of town, but the shockwave has completely leveled Hiroshima. The streets are nothing but debris, burnt bodies, and people with dreadful wounds. It's impossible to go any further with the heat of the fire, so he turns back and heads for the Miyuki Bridge.
"It was such an aweful scene that I just couldn't press the shutter. Not for at least 20 minutes. I eventually took a photo, then went in a few feet closer for another, but the viewfinder was clouded over with my tears. I still remember that to this day. It was just hell."
20.04.202511:11
"Inside Hiroshima"
Көбүрөөк функцияларды ачуу үчүн кириңиз.