𝕮𝖍𝖎𝖛𝖆𝖑𝖗𝖞♱𝕮𝖔𝖗𝖊
Regular Catholic Knight posting.
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Текшерүү
ТекшерилбегенИшенимдүүлүк
ИшенимсизОрду
ТилиБашка
Канал түзүлгөн датаJan 23, 2025
TGlistке кошулган дата
Mar 15, 2025"𝕮𝖍𝖎𝖛𝖆𝖑𝖗𝖞♱𝕮𝖔𝖗𝖊" тобундагы акыркы жазуулар
19.04.202501:58
𝘼𝙣𝙙 𝙄, 𝙞𝙛 𝙄 𝙗𝙚 𝙡𝙞𝙛𝙩𝙚𝙙 𝙪𝙥 𝙛𝙧𝙤𝙢 𝙩𝙝𝙚 𝙚𝙖𝙧𝙩𝙝, 𝙬𝙞𝙡𝙡 𝙙𝙧𝙖𝙬 𝙖𝙡𝙡 𝙩𝙝𝙞𝙣𝙜𝙨 𝙩𝙤 𝙢𝙮𝙨𝙚𝙡𝙛
18.04.202523:02
𝔗𝔥𝔢𝔶 𝔥𝔞𝔳𝔢 𝔡𝔲𝔤 𝔪𝔶 𝔥𝔞𝔫𝔡𝔰 𝔞𝔫𝔡 𝔣𝔢𝔢𝔱. 𝔗𝔥𝔢𝔶 𝔥𝔞𝔳𝔢 𝔫𝔲𝔪𝔟𝔢𝔯𝔢𝔡 𝔞𝔩𝔩 𝔪𝔶 𝔟𝔬𝔫𝔢𝔰. 𝔄𝔫𝔡 𝔱𝔥𝔢𝔶 𝔥𝔞𝔳𝔢 𝔩𝔬𝔬𝔨𝔢𝔡 𝔞𝔫𝔡 𝔰𝔱𝔞𝔯𝔢𝔡 𝔲𝔭𝔬𝔫 𝔪𝔢. 𝔗𝔥𝔢𝔶 𝔭𝔞𝔯𝔱𝔢𝔡 𝔪𝔶 𝔤𝔞𝔯𝔪𝔢𝔫𝔱𝔰 𝔞𝔪𝔬𝔫𝔤𝔰𝔱 𝔱𝔥𝔢𝔪; 𝔞𝔫𝔡 𝔲𝔭𝔬𝔫 𝔪𝔶 𝔳𝔢𝔰𝔱𝔲𝔯𝔢 𝔱𝔥𝔢𝔶 𝔠𝔞𝔰𝔱 𝔩𝔬𝔱𝔰. 𝔅𝔲𝔱 𝔱𝔥𝔬𝔲, 𝔒 𝔏𝔬𝔯𝔡, 𝔯𝔢𝔪𝔬𝔳𝔢 𝔫𝔬𝔱 𝔱𝔥𝔶 𝔥𝔢𝔩𝔭 𝔱𝔬 𝔞 𝔡𝔦𝔰𝔱𝔞𝔫𝔠𝔢 𝔣𝔯𝔬𝔪 𝔪𝔢; 𝔩𝔬𝔬𝔨 𝔱𝔬𝔴𝔞𝔯𝔡𝔰 𝔪𝔶 𝔡𝔢𝔣𝔢𝔫𝔠𝔢.
Кайра бөлүшүлгөн:
Sensible Catholicism
18.04.202512:20
St Mark 10:33-34
"Behold we go up to Jerusalem, and the Son of man shall be betrayed to the chief priests, and to the scribes and ancients, and they shall condemn him to death, and shall deliver him to the Gentiles. And they shall mock him, and spit on him, and scourge him, and kill him: and the third day he shall rise again."
"Behold we go up to Jerusalem, and the Son of man shall be betrayed to the chief priests, and to the scribes and ancients, and they shall condemn him to death, and shall deliver him to the Gentiles. And they shall mock him, and spit on him, and scourge him, and kill him: and the third day he shall rise again."
11.04.202501:24
Sol Justitiae (Sun of Righteousness)
Albrecht Dürer (1499)
This engraving depicts Christ as the Sun of Righteousness, seated on a lion while holding a sword and scale.
Albrecht Dürer (1499)
This engraving depicts Christ as the Sun of Righteousness, seated on a lion while holding a sword and scale.
11.04.202500:14
10.04.202523:06
10.04.202523:06
10.04.202522:23
10.04.202522:22
10.04.202515:13
Notre Dame de Sénanque.
10.04.202507:54
04.04.202517:59
04.04.202517:56
04.04.202517:53
Рекорддор
17.04.202523:59
112Катталгандар12.03.202523:59
0Цитация индекси15.03.202503:12
491 посттун көрүүлөрү28.02.202522:23
241 жарнама посттун көрүүлөрү22.03.202523:59
28.57%ER15.03.202503:12
94.23%ERRӨнүгүү
Катталуучулар
Citation индекси
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ER
ERR
30.03.202511:21
Il Disinganno (The Release from Deception) 1754
Francesco Queirolo
The Latin passage reads:
"I will break thy chain, the chain of the darkness and long night of which thou art a slave so that thou might not be condemned with this world."
Francesco Queirolo
The Latin passage reads:
"I will break thy chain, the chain of the darkness and long night of which thou art a slave so that thou might not be condemned with this world."
31.03.202502:02
George and the Dragon.
26.03.202518:17
Darkest Dungeon
Patrick Patt
Patrick Patt
03.04.202507:10
The beauty of the soul shines out when a man bears with composure one heavy mischance after another, not because he does not feel them, but because he is a man of high and heroic temper.
-Aristotle
-Aristotle
Кайра бөлүшүлгөн:
The Exaltation of Beauty
02.04.202505:11
The paintings' twinned themes of war and peace expressed as historical allegories would have had an immediate emotional significance for Cropsey's audience. The recent Mexican War (1846-1848) and the subsequent debate over whether the western territories would join the nation as free or slave states contributed to the strained national atmosphere in the decade preceding the Civil War. First shown as his New York studio, this allegorical pair were shown seven times between 1852 and 1857. In this carefully constructed tour de force the earnest young artist created a powerful and lasting image of the fear and hopelessness brought about by war, eerily foreshadowing the bloody conflict that would envelop his country in the following decade.
03.04.202505:25
Кайра бөлүшүлгөн:The Exaltation of Beauty
02.04.202505:12
This work is based on the Gothic Romantic ballad Lenore, by the author Gottfried August Bürger from 1774. Set in 1757 following the Battle of Prague, Lenore is a young woman engaged to William, who went to battle in King Frederick’s army. Having heard no news about him, she eagerly awaits the army’s return.
When the other warriors return from the war without William, she begins to quarrel with God, complaining about His unfairness and proclaiming that He has never done her any good.
At midnight, a mysterious stranger who looks like William knocks on the door searching for Lenore and asks her to accompany him on horseback to their marriage bed. Lenore happily gets on the stranger's black steed and the two ride at a frenetic pace. Terrorised, Lenore demands to know why they are riding so fast, to which he responds that they are doing so because "the dead travel fast". As the horse gallops, the knight begins to lose its human appearance, and is revealed as Death, a skeleton with a scythe and an hourglass.
When the other warriors return from the war without William, she begins to quarrel with God, complaining about His unfairness and proclaiming that He has never done her any good.
At midnight, a mysterious stranger who looks like William knocks on the door searching for Lenore and asks her to accompany him on horseback to their marriage bed. Lenore happily gets on the stranger's black steed and the two ride at a frenetic pace. Terrorised, Lenore demands to know why they are riding so fast, to which he responds that they are doing so because "the dead travel fast". As the horse gallops, the knight begins to lose its human appearance, and is revealed as Death, a skeleton with a scythe and an hourglass.
Кайра бөлүшүлгөн:The Exaltation of Beauty
02.04.202505:11
Jasper Francis Cropsey, The Spirit of War, 1851, 110.8 x 171.6 cm, National Gallery, Washington
In The Spirit of War, a rugged mountain landscape provides the backdrop for a medieval wartime scene, all bathed in an eerie, fiery light: knights on horseback ride into battle, a distant settlement burns, and a mother and child cower on the ground. A medieval castle rises from the jagged rocks, its looming tower framed by gathering storm clouds that portend destruction. The artist himself described the fraught scene as "promising naught but the uncertain and gloomy future of warlike times."
In The Spirit of War, a rugged mountain landscape provides the backdrop for a medieval wartime scene, all bathed in an eerie, fiery light: knights on horseback ride into battle, a distant settlement burns, and a mother and child cower on the ground. A medieval castle rises from the jagged rocks, its looming tower framed by gathering storm clouds that portend destruction. The artist himself described the fraught scene as "promising naught but the uncertain and gloomy future of warlike times."
Кайра бөлүшүлгөн:The Exaltation of Beauty
02.04.202505:12
The Ballad of Lenore, or The Dead Travel Fast, by Émile Jean-Horace Vernet, 1839
02.04.202504:34
The Last Stand of the High King
Manuel Castañón
Manuel Castañón
02.04.202504:15
Luthien in the Court of Morgoth
Pete Amachree
Pete Amachree
Кайра бөлүшүлгөн:The Exaltation of Beauty
02.04.202505:14
St George and the Dragon, 1487, by Bernt Notke, painted wood, 303 x 228 cm, Storkyrkan, Stockholm
02.04.202504:30
Fingolfin challenges Morgoth
Pete Amachree
Pete Amachree
Көбүрөөк функцияларды ачуу үчүн кириңиз.