Кайра бөлүшүлгөн:
EN EREBOS PHOS
22.02.202522:32
Lady Absinth / Arcade, Avenue of Sighs (1901) — Ferdinand Keller
22.02.202516:29
La "Scapigliata" di Leonardo da Vinci, giá nella collezione di Isabella d'Este, ereditata per Federico Gonzaga
Dipinto a terra ombra, ambra inverdita e biacca su tavola (24,7x21 cm) , databile al 1508 circa e conservato nella Galleria nazionale di Parma.
Dipinto a terra ombra, ambra inverdita e biacca su tavola (24,7x21 cm) , databile al 1508 circa e conservato nella Galleria nazionale di Parma.
22.02.202510:37
Ego. Marina Richterova
Кайра бөлүшүлгөн:
The Exaltation of Beauty
22.02.202509:03
Bernardo Cavallino, The Shade of Samuel Invoked by Saul, 61 × 86.4 cm, oil on copper, Getty Museum
Bernardo Cavallino depicts an episode from the Bible in which King Saul, about to enter into battle with the Philistines, asked the Witch of Endor to summon the spirit of the recently deceased prophet Samuel, the last Judge of the Israelites. Silhouetted against a bright light emanating from a nearby doorway, Samuel's skin appears suitably ashen and gray. He engages the kneeling king with a penetrating stare, and delivers news that the next day the Philistines will defeat Israel and that Saul and his sons will die in battle. Cavallino eloquently conveys the emotional interaction among the three figures as Samuel relays this news.
Bernardo Cavallino depicts an episode from the Bible in which King Saul, about to enter into battle with the Philistines, asked the Witch of Endor to summon the spirit of the recently deceased prophet Samuel, the last Judge of the Israelites. Silhouetted against a bright light emanating from a nearby doorway, Samuel's skin appears suitably ashen and gray. He engages the kneeling king with a penetrating stare, and delivers news that the next day the Philistines will defeat Israel and that Saul and his sons will die in battle. Cavallino eloquently conveys the emotional interaction among the three figures as Samuel relays this news.
Кайра бөлүшүлгөн:EN EREBOS PHOS
23.02.202510:03
If we do not see the shadow in ourselves, it is projected onto outer people who then exert a fascinating power over us, we have to think about them all the time; we get emotional about them, or even pursue them. This does not mean that some people, whom we hate, are not really nasty creatures but, even so, we could handle them quite reasonably or avoid them if it were not for the projection of the shadow, which always causes all kinds of emotional exaggerations and fantasies.
Marie-Louise von Franz, Jung and Society
Marie-Louise von Franz, Jung and Society
Кайра бөлүшүлгөн:EN EREBOS PHOS
22.02.202520:41
Carl Jung, The Structure and Dynamics of the Psyche (Collected Works, Volume 8)
Кайра бөлүшүлгөн:EN EREBOS PHOS
22.02.202520:39
Evelyn De Morgan - “The light shineth in the darkness and the darkness comprehended it not”
22.02.202510:49
The Winged Victory of Samothrace (circa 190 BC). Louvre, Paris.
Кайра бөлүшүлгөн:The Exaltation of Beauty
22.02.202509:03
One of the leading painters of Baroque Naples, Bernardo Cavallino was influenced by masters as diverse as Caravaggio and Rubens. He developed a distinctive manner marked by the dramatic play of light and action.
The Kimbell painting comes from a Spanish collection that also included The Shade of Samuel Invoked by Saul by Cavallino (J. Paul Getty Museum, Los Angeles), and Jonah Preaching to the People at Nineveh by Andrea Vaccaro (Museo de Bellas Artes, Seville). All share narratives in which a king is threatened with death unless he withdraws from warfare against a virtuous people. Another Cavallino, The Expulsion of Heliodorus from the Temple (Pushkin State Museum of Fine Arts, Moscow), concerning a warning against taxation by foreign rulers, may also belong to the group. These themes were of topical interest in Naples, which witnessed revolts against Spanish domination during this period.
The Kimbell painting comes from a Spanish collection that also included The Shade of Samuel Invoked by Saul by Cavallino (J. Paul Getty Museum, Los Angeles), and Jonah Preaching to the People at Nineveh by Andrea Vaccaro (Museo de Bellas Artes, Seville). All share narratives in which a king is threatened with death unless he withdraws from warfare against a virtuous people. Another Cavallino, The Expulsion of Heliodorus from the Temple (Pushkin State Museum of Fine Arts, Moscow), concerning a warning against taxation by foreign rulers, may also belong to the group. These themes were of topical interest in Naples, which witnessed revolts against Spanish domination during this period.
Кайра бөлүшүлгөн:
All'Elefante Nero
23.02.202509:40
Dio è l'eterno, mentre il tempo è un idolo, quando diventa oggetto di venerazione.
- Benedetto XVI
- Benedetto XVI
Кайра бөлүшүлгөн:
hapax culture//
22.02.202519:49
Alessandro di Mariano Filipepi, called Sandro Botticelli
22.02.202510:49
Boris Anisfeld (1879-1973). Sadko, Costume design for Mermaids in Sea Kingdom scene, 1911.
Кайра бөлүшүлгөн:The Exaltation of Beauty
22.02.202509:03
The smooth, uniform surface of the painting’s copper support facilitated the application of paint in fine brushstrokes, as evidenced by carefully delineated contours and minute details, like the individual wisps of hair in Saul’s beard. Little is known about the artist’s life and work, but he is recognized for small-scale narrative compositions on copper and canvas, such as this one. Cavallino’s initials are included on a stone step to the left of the composition, making it one of only eight signed works by the Neapolitan artist.
15.02.202518:20
La Maddalena. Maddalena in meditazione
DIPINTO ca 1625 - ca 1639
Stanzione Massimo (e Aiuti)
1585 ca./ 1658 ca
DIPINTO ca 1625 - ca 1639
Stanzione Massimo (e Aiuti)
1585 ca./ 1658 ca
Көрсөтүлдү 1 - 24 ичинде 25
Көбүрөөк функцияларды ачуу үчүн кириңиз.