Richard Ruach's Research Center
22.04.202523:34
Admin house (divinely inspired)
Пераслаў з:
Tradition Publishing Co.
13.04.202520:07
Springtime in Atlantis
Edmund Kiss
Drawing on the detailed account of the Greek sage Plato and the latest findings of prehistoric research, Edmund Kiss creates an incredibly compact picture of life and activity in Atlantis, which disappeared around 14,000 years ago. Race and faith, the core issues of every ethnic community, form the basis of this novel, set around 20,000 years ago, on which the dramatic struggle of the Aesir son of Nordland Baldur Wieborg and his followers against the alien influences of power-hungry priests takes place. The heroism of loyalty to the people, sacrificing life and happiness, shines victoriously over this book. And we hear the old song that will never fall silent, that resounds again and again when a great, good man falls victim to the murderous steel: the legend of Baldur, whom Loki slew.
https://tradition.st/springtime-in-atlantis/
Edmund Kiss
Drawing on the detailed account of the Greek sage Plato and the latest findings of prehistoric research, Edmund Kiss creates an incredibly compact picture of life and activity in Atlantis, which disappeared around 14,000 years ago. Race and faith, the core issues of every ethnic community, form the basis of this novel, set around 20,000 years ago, on which the dramatic struggle of the Aesir son of Nordland Baldur Wieborg and his followers against the alien influences of power-hungry priests takes place. The heroism of loyalty to the people, sacrificing life and happiness, shines victoriously over this book. And we hear the old song that will never fall silent, that resounds again and again when a great, good man falls victim to the murderous steel: the legend of Baldur, whom Loki slew.
https://tradition.st/springtime-in-atlantis/
10.04.202522:22
10.04.202519:55
im open for tax season (8th house dealings)
10.04.202509:27
09.04.202509:59
Sneed
16.04.202507:51
Who else is going to Egypt with me btw? https://m.youtube.com/watch?v=rwWJfAa2F5U&pp=0gcJCX4JAYcqIYzv
10.04.202519:41
10.04.202502:00
Cabalae Verior Descriptio by Anon, 1680, Dresden
09.04.202509:57
where we post from
14.04.202521:23
13.04.202519:49
10.04.202501:59
13.04.202520:55
The cyclical prophet Oswald Spengler wrote as if possessed, chasing the shadows of vanished empires through the labyrinth of time. For him, history refuses the form of dry records and linear unfolding. Instead, it surges with forms, images, and the gestures of vanished men. The purpose of historical inquiry, he declared, is to render fate visible — etched into bodies, etched into weapons, etched into the tracks left behind. The historian Leopold von Ranke had once claimed that history begins where written sources appear. Spengler laughed at that notion. Pottery does not speak of battles. Manuscripts rarely breathe the air of a battlefield. Weapons, on the other hand, shout. They carry postures. They speak the dreams and ambitions of those who wield them. The sword reveals a worldview more surely than any chronicle.
In the curves of ornamented blades and the balance of axes, Spengler saw more than craftsmanship. He saw destiny. He saw rejection, acceptance, belief. The bow — first great-distance weapon — was cast aside by tribes who saw such fighting as shameful. Among them: Romans, Hellenes, Germanic tribes. Even in vase paintings from Attica and Corinth, the bow is relegated to the margin. Odysseus receives a sword instead. The weapon of honor, of man confronting man. Here, Spengler crossed paths with the French philologist Georges Dumézil, who traced Indo-European myths to three sacred functions. The three functions, in Dumézil’s vision, form a cosmic hierarchy: sovereignty rules through law and magic, the warrior defends and conquers through sacred violence, and the productive class sustains life through fertility, labor, and the rhythms of the earth. The chariot peoples were the bearers of the warrior principle — the Kshatriya, Mars, the thunderbolt-brandishing force that reorders the world through conflict. Dumézil described the Kshatriya as ritual enforcers of cosmic tension — those who balanced sovereignty with violence, who made law real by bleeding for it. He saw them as lightning-bearers, charged with sacred aggression, their battles mirroring the celestial wars of gods who maintained the fragile structure of the world through force
In the curves of ornamented blades and the balance of axes, Spengler saw more than craftsmanship. He saw destiny. He saw rejection, acceptance, belief. The bow — first great-distance weapon — was cast aside by tribes who saw such fighting as shameful. Among them: Romans, Hellenes, Germanic tribes. Even in vase paintings from Attica and Corinth, the bow is relegated to the margin. Odysseus receives a sword instead. The weapon of honor, of man confronting man. Here, Spengler crossed paths with the French philologist Georges Dumézil, who traced Indo-European myths to three sacred functions. The three functions, in Dumézil’s vision, form a cosmic hierarchy: sovereignty rules through law and magic, the warrior defends and conquers through sacred violence, and the productive class sustains life through fertility, labor, and the rhythms of the earth. The chariot peoples were the bearers of the warrior principle — the Kshatriya, Mars, the thunderbolt-brandishing force that reorders the world through conflict. Dumézil described the Kshatriya as ritual enforcers of cosmic tension — those who balanced sovereignty with violence, who made law real by bleeding for it. He saw them as lightning-bearers, charged with sacred aggression, their battles mirroring the celestial wars of gods who maintained the fragile structure of the world through force
11.04.202502:03
10.04.202522:12
10.04.202509:31
I'm thinking of assembling a team....
10.04.202501:59
09.04.202508:28
Play this glow nigger game:
https://apps.apple.com/app/id336882103
https://apps.apple.com/app/id336882103
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